Traffic on 95 today was sufficiently nonexistent to allow me to enjoy the ride down to Miami, with a minimum of terrified curls into the fetal position on the passenger side and finger wagging at Daniel, the driver, so I took the opportunity to introduce him to one of my favorite symphonies, Brahms’s 1st. I can never remember exactly how many years he spent writing it, but it was a lot because he was so stressed about living up to his reputation as the next Beethoven. I’m thinking like maybe 10 years he spent on this, and it shows.
I think any kind of musician can appreciate the difference between knowing a piece well from listening to it over and over and knowing it well because you have lived through the hours, sometimes stretched over weeks or months, sometimes packed into a short, intense period, that it took to learn how to perform it. The fourth movement of this symphony for me is one of the latter. Every time I listen to it I am transported back to the Kalamazoo Youth Chamber Music Workshop, a nifty little two week long summer program that broke us up into chamber groups in the morning and brought us back together as an orchestra in the afternoon. During my second summer there, Brahms 1 fourth movement was on the repertoire. In any accounting of my career as a young oboist, these would certainly qualify as glory days. I was first chair, and a concerto soloist to boot. I had good reeds and a mad crush on the first chair flute player. Dark curly hair, blue eyes, pleasantly shy but witty, and best of all he liked me back! I remember looking forward to the lunch hour between wind quintet and orchestra rehearsal. Mr. Flute Player and I would eat lunch together in the small courtyard, talking about the music and complaining about how sore our lips were (from playing our instruments people, that’s sadly all) and wondering if we would make it through three more hours of orchestra. I had strawberrry flavored Gushers in my packed lunch every day during the camp because they had been on sale at Felpausch so my mom relented. After lunch we would go reassemble our instruments and get ready to dig into Brahms and Tannheuser, eventually getting so wrapped up that we didn’t even noticed our legs sticking to the folding chairs. Gushers every day! A whole slot in orchestra rehearsal devoted to practicing the solo of moi! A blue eyed boy who gave me his picture without being asked! Summer thunderstorms rattling the windows as we roared through the finale of Brahms 1, completely drowned out by the resounding brass chorales and the sweeping strings! Is it any wonder these sounds are stamped on my memory? I think this was definitely a high point of sorts, not that we were the most accomplished young orchestra around by any means. Our experience learning the music was probably more rewarding than the audience’s eventual experience listening to it, but for some of us it was a chance to spend some time being taken seriously as musicians. Listening to the symphony now, I feel it all over again, all the adrenaline of playing a great piece for the first time, the thrill of having just enough skill to sound the way you wanted to most of the time, the major requited love factor. As the strings and the brass surge toward the finish, I remember how good it felt to be a kid playing at being a grown up for one of the first times.
Things changed fast after that summer workshop. That fall I moved away to boarding arts high school. The flute player and I exchanged a few letters but fell out of touch, although I kept his picture for years. I practiced my everloving ass off for the next three years, but in the end decided that I didn’t want to be an oboist after all. Despite several more years playing in orchestras and bands, I’ve never gotten another stab at Brahms 1, and the flute player came out of the closet sometime during his freshman year of college. I checked out the recording from the library today so I could play it for Daniel during our drive down, and it might have just been my imagination, but as I listened to the Cleveland Orchestra heading into the chorale, I swear I could taste strawberry Gushers and see the conductor’s baton signalling me for my entrance.